March being the Women’s History Month, it is a perfect opportunity to celebrate the talented female authors from history. Why just authors and not any other occupation? Because I love reading and I strongly feel that the work of female authors has been discredited for way too long. Now is the time that we go back in time to rediscover their work and credit them for all they did. So let’s get started.
Let me put this straight first, it is not just America, Britain, or Europe. Struggle for gaining acknowledgment and equal rights was a global issue across all the continents. Some rose above it gradually some are still fighting the demons of oppression of women.
Table of Contents
History of American Female Authors
In the 17th century, women in American were imperiled to the same lawful consequences that of witchcraft if they so much so ‘wore heels to lure a man into marriage’. By the descent of the 18th century, the new progressive American law permitted married women to own property and business in case their men were incapacitated for some reason.
For female authors, it offered the opportunity to publish their work by their own name and retain copyrights of their books. But this liberty was strictly restricted to the women who were married and it by no means meant acceptance by their prejudiced audience. In the following blog, you would hopefully understand the extent of prejudice that was held against the female authors. In the 1850s American law granted unmarried women the right to own and manage a property in their personal capacity and sign contracts in their own name. By then women started to raise voices for equal pay. To those unaware, in those times a woman was paid less than their male counterparts doing the same job.
It was seen befitting for the reason that women were not necessarily the bread earner of the family and were financially supported by a male family member. The feminists argued that this thinking was making women dependent and on men and thus hindering their independence. To state the obvious, his practice was largely unfair and demeaning towards women. In the 1960s laws were established to abolish the sex-based disparity in wage. In those times the females author made less money than their male counterparts. This was partly also because of the prejudiced book audience held against female authors at that time.
(Let me tell you the prejudice is very much prevalent till day which will be clarified in the following article). The prejudiced audience was not limited to the reading community but publishers and critics of that time. Certain genera were considered ‘inappropriate’ for women writers. This forced female authors to adopt male pseudonyms to give a fair chance to their work. However, this strategy made the contribution of female authors through history unmarked and unrecognized.
James Tiptree Jr.
Alice Bradley Sheldon is one of the great female authors who opted for a male pseudonym James Tiptree Jr. She later stated that it was a ‘good camouflage’ as she was tired of judging eyes following her for being the first female in too many men only occupations of that time. Before she begins to write, she had worked as a painter, graphic artist, and art critic.
Fun fact: The famous Robert Silverberg in his introduction to ‘The Girl Who Was Plugged in’ insisted that James Tiptree Jr. pseudonym must belong to a male author as syntax and lexicon in the book is very masculine and the writing style was “simple, direct, and straightforward”. So now you know which attributes were not associated with female authors.
A.M. Barnard and Isak Dinesen
Speaking of attributes associated with female authors remind me of Louisa May Alcott is best known for ‘Little Women’ which was published under her own name and was an instant success. The novella which was published in two parts initially is till day regarded as one of the best classics. However, her intense gothic thrillers ‘A Long Fatal Chase and ‘Behind a mask’ was published under an ambiguous pseudonym, A.M. Barnard. This measure was taken because the publisher insisted that her work was ‘unladylike’. Famous ‘Seven Gothic Tales’ was also written by an ‘unladylike’ female author Karen Blixen under a male pseudonym Isak Dinesen.
History European Female Author
First Female German Author
Frau Ava born in 1060 is the first recorded female author of German descent. She is credited with five poems of Christian themes. Little is known about her personal life other than that she was married and had to son. One of her sons died in her life. These are the only known fact here. About her work critics regard the style and theme of poems are similar, simple, and rhyming (soft and very ladylike). Her vast knowledge and deep understanding of Christian theology are praised by the critics.
Anna Louisa Karsch (1722-1791) also tilted as the ‘German Sappho’ was the first-ever woman to live from the proceeds of her literary work. Growing up she loved reading which earned her beating from her step-father for the reading mania. First praise of work came as ‘refusal to accept it could have been written by a woman’.
Lucile Dupin (1804-1876) another famous French novelist published under the male pseudonym George Sand. Now, who is unfamiliar with George Sand? But a few know about Amantine Dupin. She was fortunate to have quite a liberal upbringing. What historians like to highlight about her is that she was a legitimate child of a man best known as an illegitimate royal and she married another illegitimate child of a military officer.
Although she married and had two children but divorced later, and till the day is remembered for her romantic rebellion. Seriously these are the things critics highlighted and history remembered about successful authors. Not many will tell you that by the age of 27 she was the most popular writer of any gender in Europe.
Her literary capacities were acknowledged by many men of her age along with her charms as a woman, (always objectifying the body of female celebrities). While most men and women of her time praised her, like any celebrated person she also gained a few passionate critics like Charles Baudelaire who went as far as calling her a slut on public platforms. Mind you calling a lady’s names ‘slut’ publically is not very gentlemanly in this day and so was not in those times.
Like many successful liberal women of that time were condemned for their freedom of choice, and Baudelaire’s major critic was on her ideas on morals. She was deemed too bold for her times because she smoked and wore men’s clothing. Nobel Prize of Literature which was first awarded in 1901 was the first time awarded to a female author in 1909. Selma Lagerlöf, a Swedish novelist was the first female author to be awarded Nobel Prize in Literature.
No woman was awarded the title for the next fifteen years. Selma was also the first female member of The Swedish Academy, where she gained her acceptance in 1914. She is also credited for being the first woman to be depicted on Swedish Banknote.
British Female Authors
Once upon a time in Britain, women were not legally allowed to sign a contract and were required to be represented by a male family member to sign the contract on their behalf. In the early eighteenth century, ladies who aspired to write full-time were told that they are patronizing their own femininity. Primary roles for women were wife and mother and writing was regarded as ‘a hobby’ and not a profession for women writers. Female authors were published anonymously to offer a better chance to their work, which was otherwise seen as a low-quality by-product of a hobby.
The very famous Jane Austen author of Pride and Prejudice and Sense and Sensibility published all her work anonymously. (except pride and prejudice) and ‘on commission’ as no trade publisher was willing to ‘risk’ with her. Austin sold the copyrights of ‘Pride and Prejudice’ to her publisher for £110. Wikipedia reports that she could have gained a proceeding of £475 if she had opted to publish the novel ‘on-commission’. (So much for advocating self-publishing or commission-based publishing).
Till now we have established that historically writing was a primarily male-dominated profession, and even the best women writers were required to opt for a male pseudonym to avail a better reception in the market. An additional example is Ellis Bell, author of the famous classic novel Wuthering Heights, who was, you guessed it write a female author, Emily Bronte.
She belonged to the literary Brontë family, which included her two sisters Anne Bronte and Charlotte Bronte who published their work under the respective male pseudonyms Acton Bell and Currer Bell. These three were daughters of Patrick Brontë, an Irish priest, and author who lived most of his life in Britain. The Brontë sisters though much talented had to publish their work under male pseudonyms before they were acknowledged as masterpieces of literature.
One more case from history is a very talented female novelist, Mary Ann Evans (1819-1880), who published under the male pseudonym George Eliot. ‘Middlemarch’ is one of her masterpieces which is often described as the greatest novel in English literature. Her work was appreciated for its realism and elaborate psychological insight.
Another astounding fact from the past is that she belonged to an era when girls were not offered education but her father made arrangements for her education. Although extraordinarily intelligent and a keen reader, her lack of physical beauty encouraged her father to educate her because she was deemed less likely to find a husband. She was granted access to the library of Arbury Hall due to the influences of her father.
Society evolved and in came the modernist period which offered a better opportunity for women writer’s like Virginia Woolf. Virginia Wolf (1882-1941) is counted among one of the greatest novelists of the twentieth century and from ‘The Voyage Out’ to ‘Between the Acts’ she left a definitive mark on the history of literature. She was much facilitated by her husband and brother in publishing her novels.
You would think that after the 1950s we would have moved past the prejudices against female authors, but No! In 1960 an all-time best-seller novel ‘To Kill a Mockingbird’ by Harper Lee was published which was translated into more than forty languages. The real name of the female author is Nelle Harper Lee, who upon the recommendation of her publisher, dropped her first name to remove the female identity. While the protagonist of her crime thriller about honor, prejudice, and injustice in the South was a young female, the plot was dominated by strong male characters.
Toni Morrison and Nobel Prize in Literature
Now finally a pleasant breeze for female authors. In 1993 Toni Morrison was awarded Nobel Prize in Literature. Her most popular work is the best-selling and award-winning novel Beloved, which was also made into a movie. I will take this opportunity to bring your attention to the fact that out of 114 years-long histories of Nobel Prize Award, only 51awards are given to women out of which 14 laureates are from Literature. This shows that the Nobel Prize in Literature was awarded to male writers for a century (100 years), and female writers for only 14 years. This ration is not only alarming but worth bringing attention to on larger platforms.
Second Wave of Feminism
The Second Wave of feminism initially started in the USA and quickly spread over the entire West. The campaign brought attention to the fact that women have always been writing but female authors are underrepresented in literature because of the male-pseudonym used and the work of women writers needs to be rediscovered and reclaimed.
J. K. Rowling and Rob Thurman
Harry Potter was my childhood and it somewhat shaped me as a person as I grew with the golden trio. I am a die-hard fan and associate myself with clever and ambitious Slytherins. It is not news to anyone that J. K. Rowling, is a female author and her real name is Joanne Rowling. It is well-known information that her publisher encouraged her to take a more ambiguous pseudonym supplying the logic that as a female author name might be off-putting for the targeted audience of young male children.
Later when Rowling decided to write for the mature audience she picked male pseudonym Robert Galbraith, to publish her crime mystery The Cuckoo’s Calling. As much as she would like to defend her choice for opting for a male pseudonym, stating she didn’t want her reputation to color the expectations from her new work, I call ‘Liar, Liar Pants on Fire’. As much as I respect them for influencing my childhood and creating a magical world, I am willing to pick a fight with her on this. She could have picked a new pseudonym which was female.
But no! She picked a male name to secure herself from the prejudice of crime fantasy readers. Interestingly ‘The Cuckoo’s Calling’ although performed moderately well initially but received a lot more attention and sold way more copies once it was discovered that it was actually written by J. K. Rowling. But behold British Rowling is not alone! Have you too enjoyed the sci-fi Cal Leandros Series by American Author Rob Thurman? Well, surprise surprise! Rob Thurman is actually Robyn Thurman.
She too timidly tries to defend her choice by stating she was always nicked name by her family Rob, but the truth is because female authors are still looked at with prejudice in genera like sci-fi, crime, horror, and action-oriented audience, which includes, publishers, critics, and readers alike.
As evident from the above blog female authors have come along but we still have a long way to claim our rights and protect our contributions from been undermine or overlooked. Here is to hoping we stand together and stand tall. Here is to hoping future generations come to the terms with the fact how ridiculous it is to attribute certain writing skills to a certain gender. Here is to hoping that the future holds a book publishing industry free from gender-biases.